Lonny Zeindler, Media Informatics student at BHT Berlin

NBA 2K x E-40 Remix

A high-energy "Promo Edit" combining custom beat production with fast-paced basketball highlights

For this project, a friend and I entered the official NBA 2K x E-40 Remix Challenge. We engineered the beat in Logic Pro to hit hard and stay catchy, taking inspiration from the iconic 2K soundtracks.

To promote the track, I used Final Cut Pro to create a rhythmic edit. I synced top-tier NBA plays to our custom transitions and bass drops, ensuring the visual energy matched the audio's intensity.

Made with

Logic Pro, Final Cut Pro

Year

2025

Saquon Barkley: 2K Royalty

A high-energy sports tribute edit celebrating Saquon Barkley's historic 2024 MVP-caliber season and the Eagles' Super Bowl victory

Inspired by the wave of NFL edits during the 2024 season, I wanted to create a definitive tribute to Saquon Barkley's record-breaking year. After he surpassed 2,000 rushing yards and secured Offensive Player of the Year honors, I gathered the best game film to showcase his explosiveness.

Using Final Cut Pro, I moved beyond simple cutting and focused heavily on custom visual filters and color grading to give the footage a cinematic, "premium" feel. To ensure the edit was 100% unique, I produced an original beat specifically for this video, allowing me to time every move to the rhythm of my own music.

Made with

Final Cut Pro, Logic Pro

Year

2025

To Become a Warrior

A 10-minute documentary and theoretical thesis exploring how "Film Language" influences an audience and can be used as propaganda

Sidelined by an injury with the Winterthur Warriors, I used my recovery to deep-dive into cinema psychology. I handled the entire production: from researching and scriptwriting to capturing live-action footage during games and training.

As a "one-man crew", I managed the full edit in Final Cut Pro and directed a professional voiceover session in Logic Pro. This project was a masterclass in filmmaking "rules," forcing me to balance the roles of director, cinematographer, and editor simultaneously.

Made with

Final Cut Pro, Logic Pro

Year

2025

The Retro Tube

A stylized 3D animation of an "old school" vintage television, designed to serve as a custom intro for my YouTube channel

Inspiration struck when I saw a vintage metal sign featuring a classic TV set. I decided to recreate that aesthetic in 3D space using Blender. Since this was my first real dive into the software, I had to learn the fundamentals of 3D modeling from the ground up—shaping the geometry of the TV and experimenting with lighting to capture that nostalgic, retro glow.

As a beginner, the biggest hurdle was understanding Materials and Texturing. Learning how to make plastic look like plastic and glass look like a screen—while also managing the keyframes for the animation—was a massive "level-up" moment for my technical skills.

Made with

Blender

Year

2025

Cinematic Re-Scoring: Troy

Creative Direction

I replaced the music of a scene from Troy with my own score and sound design, to hear how new music changes the same images.

Made with

Logic Pro, Final Cut Pro

Year

2025